Thursday, September 11, 2014

Forget You Own Investment Accounts ...


... and get rich.

... On Bloomberg Radio, Barry Ritholtz talked with James O'Shaughnessy of O'Shaughnessy Asset Management.

Ritholtz and O'Shaughnessy spent much of their discussion talking about the ways people screw themselves when investing, because nothing gets in the way of returns quite like someone who thinks they have a great idea.

O'Shaughnessy discussed a number of interesting analyses he had done with regard to the length of holding periods (spoiler: the shorter you hold a stock, the more likely you are to lose money) among other things.

But O'Shaughnessy relayed one anecdote from an employee who recently joined his firm that really makes one's head spin.

O'Shaughnessy: "Fidelity had done a study as to which accounts had done the best at Fidelity. And what they found was..."

Ritholtz: "They were dead."

O'Shaughnessy: "...No, that's close though! They were the accounts of people who forgot they had an account at Fidelity." ...

Think about it. If you don't remember you have money stashed in a boring index fund, you won't sell the boring fund when it goes down. (As it invariably will). So you don't end up "selling at the bottom."

Case in point: A couple of decades ago, I put little bits of money into a Total Stock Index fund for my youngest son. When he was ten, I stopped putting cash in. At that point, the total of the account was eight or nine thousand dollars. I stopped putting more money in because the family didn't have money to spare, but I didn't take anything out.

Essentially, I forgot the account existed.

So now it's fourteen years later, the ten-year-old is an adult, and the forgotten mutual fund? It's now worth $33,000. And this money total comes after a couple of market crashes, coupled with total neglect.

I'm telling you, the best way to grow your wealth is to put a chunk of money in a broad-based index fund and develop amnesia for fifteen or twenty years. You'll be pleasantly surprised.

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Wednesday, September 10, 2014

Co-Production Deals


... mean co-production risks.

Shanghai Hippo Animation Design and Australia’s Vue Group are expanding their 3D animation co-venture.

Last December the two entities unveiled plans to co-produce three films with aggregate budgets of more than $57 million.

This week Shanghai Hippo Animation Design CEO Kerr Xu and Vue Group MD Alan Lindsay told IF they will collaborate on four to five films a year. They say they are able to produce 3D animation much faster and far more cheaply than the US studios.

“We don’t need 20 executive producers. We do the character design in- house and I direct, produce and write," Kerr tells IF on a visit to Vue’s VFX facility in Bunbury WA. “We save an awful lot of money.” ...

It's not just about saving money. You must also have a movie that film-goers want to see. Without that, you're nowhere. Because you bring in a really inexpensive movie that nobody goes to see, you still lose money. And you're not just dead in the water, you're circling the drain. Witness this from early 2009:

... Trade sources confirm that Bollywood has had a bad run with animation this year. Between Hanuman Returns, Krishna, Roadside Romeo, Dashavatar, Ghatotkach and My Friend Ganesha parts 1 and 2, insiders estimate animation losses will total up to about Rs 70 crore.

"Indian animation has suffered quite a few hiccups,'' says a trade source. "What's worse is that many animation films that are complete and awaiting release have no takers.'' ...

Memo to Hippo Animation Design and Vue Group: It's not enough to make an animated feature with a lower budget, you must make a picture that people want to see.

On the other hand, despite the sad box office results for Indian animated features a half-dozen years ago, the demand for animation is growing, not shrinking. South America has produced profitable animated features, also France, also Russia. Just because many of these specimens don't get a release in the United States doesn't mean that they don't prosper in other parts of the globe.

It isn't just Pixar .... or Disney ... or DreamWorks that does well with cartoons. Wrapped up in domestic product the way we are, it's easy to lose sight of that reality.


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Disney CFO Speaks

Goldman Sachs held its Communicopia Conference today, and Disney Chief Financial Officer Jay Rasulo held forth on what strategic moves the Mouse has been making lately, and why (transcript from Seeking Alpha):

... There are three key elements that make us [Disney] different. First is under Bob Iger’s leadership and incessant focus on franchises. And its really evolved over the last 5 to 8 years, five years more specifically when we made the Marvel acquisition, really anchored it. But everything we do is about brands and franchises and that wasn’t true 10 years ago. And 10 years ago we were more like other media companies, more broad based, big movie slate 20 something pictures, some franchise some not franchise. If you look at our slates strategy now, our television strategy, almost every aspect of the company we’re oriented around brands and franchises and I think we’re very unique in that regard.

Second piece, is that that’s not only on the creative side but every part of our outreach to consumers, every part of our eco-system is also focused around that same orientation. So if you look at our consumer products business Bob Chapek over the last five years has absolutely reoriented that business to be franchise focused and franchise run consistent with that overall strategy and thirdly I think the experience of the management team, their ability to work together to rally behind a core strategy for the company, the core brands and the franchises of the company is unique. Other companies have not figured out how to do that in our space and I think it really sets us apart from by the way as you said not only broad consumer discretionary companies but certainly everyone else in the media space. ...

As previously stated, Diz Co. has become the Berkshire Hathaway of entertainment conglomerates. Amusement parks, animated features, super hero and space opera franchises, monster amounts of merchandising, non-stop sports. You name it, the House of Mouse has got it.

And you can see that the company has morphed and changed multiple times, from a dinky spittle studio making cartoon shorts, to a bigger studio making cartoon features, to live-action and amusement parks.

Michael Eisner, Frank Wells and Jeffrey Katzenberg turned it into a major entertainment conglomerate, and Robert Iger has made it into a global powerhouse with multiple facets, divisions, and franchises, all contributing to the grown bottom line.

It's particularly amazing, when you consider what a weak sister the company was in the middle 1980s. And how it came close to disappearing in the early 1940s.

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Animation Contracts

This just in:

SAG-AFTRA concluded four days of talks with the Alliance of Motion Picture and Television Producers and have reached tentative agreement on two new contracts covering animated production: the 2014 SAG-AFTRA TV Animation Agreement and SAG-AFTRA Basic Cable Animation Agreement. Terms of the deals — said to be similar to those contained in the new SAG-AFTRA TV/theatrical contract ratified by union’s members last month — will be presented to the guild’s National Board of Directors on October 12.

TAG will be having it's first planning meeting with the Guild's negotiation committee in mid-September. As best we can determine, Animation Guild-AMPTP negotiations will start sometime between May and July of next year. (This would be after the IATSE-AMPTP talks about a new Basic Agreement.)

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Tuesday, September 09, 2014

Hotbed of Animation

It's up -- if smiling studio representatives are believed -- above the northern border.

... “There’s great talent in America on the animation side,” says Irene Weibel, head of Nelvana Studio, which has produced such toddlerdom faves as “Bubble Guppies,” “Max & Ruby” and the recent Disney Junior co-production, “Lucky Duck.” “I think that the key difference is the environment of funding animation as an industry in Canada. The government of Canada provides support in the way of tax benefits and subsidies to animation that is produced in Canada and that doesn’t exist in the U.S., and that gives the Canadian industry that kind of leg up.”

So desired are animators at Ottawa-based Mercury Filmworks that Disney TV Animation creators frequently request to partner with them when cooking up new series. ...

I think we need to be clear about the dynamics operating here.

Canadian animators are top-notch. As President Emeritus Tom Sito has long noted, Canadian artists can be found working in Southern California and on almost every continent on the globe. They're talented, they're prolific, they get around.

But if Canada wasn't handing out Free Money by the carload, Ottawa ... or Toronto ... or Vancouver ... wouldn't be teaming centers for cartoon and visual effects work.

Because what drives all this frenzied activity are subsidies and tax incentives. The instant any geographic locality stops spooning out its corporate dole, the Welfare Kings otherwise known as Diz Co., Viacom, Fox-News Corp. (etc.) move on.

That's the way we now roll in this brave new era of free enterprise corporate welfare.

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Monopoly?


To hear Seeking Alpha (a financial website) tell it, Diz Co. is actually entertainment's Godzilla:

... The Walt Disney Company is the King and Queen of entertainment. It dominates the movie, TV, toys and theme parks business by owning 6 of the top 10 franchises in the world. Favorites such as Disney Princess, Star Wars, Winnie the Pooh, Cars, Mickey and Toy Story. Disney owns the licensing entertainment category with 80% market share. Disney also entertains sports fans around the world with its ownership of ESPN. [The Mouse] is a monopoly in entertainment helping to keep both adults and kids glued to its screens and products. ...

Disney has successfully integrated its acquisitions of Pixar and Marvel and they appear to be doing the same with Lucasfilm. Like the Marvel acquisition, Lucasfilm and Star Wars provides a literally rich universe that Disney can develop and monetize. Disney has announced that they will launch a new Star Wars film every year starting in 2015. Alternating between three new episode films with standalones based on characters rumoured to be Yoda, Boba Fett and Han Solo. Marvel's relatively unknown Guardians of the Galaxy movie has already grossed nearly $600 million. ...

Just goes to show you. When I was a tot, I would go to the Disney lot because that's where my dad worked. The place was a small, sleepy movie studio then, a very minor player in Hollywood. Profit-wise, it was hanging on by a thread.

When I went to work there a quarter-century later, Walt Disney Productions was still a sleepy movie studio connected to highly lucrative amusement parks. But it still wasn't big enough, or powerful enough to prevent attempts at hostile takeovers. Sol Steinberg came very close to breaking the company into pieces.

Enter Eisner and Katzenberg, and the place was transformed. Diz Co. went mainstream Hollywood, and began acquiring outside businesses. Today it's the Berkshire-Hathaway of entertainment conglomerates, rampaging through (and dominating) its business sector.

What a difference sixty years makes.

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Monday, September 08, 2014

Animation in the Era of Putin

Although we don't hear much about it, Russia creates a fair amount of animated product.

The russian animation sector is booming. Some 30 toon studios operate in the country, including Melnitsa Animation Studio, Riki Productions and Wizart Animation, and there are a range of high-quality animated features in the pipeline.

The government is a major source of funding, with up to 900 million rubles ($25 million) allocated to the sector a year, of which $14.5 million is assigned to features. The television channel 2×2, which is dedicated to animated shows, is another major source of funding.

Much of the output is for TV, with 15 Russian toon series on air last year. ... Some of these, like SKA St. Petersburg’s “Kikoriki,” have then been spun off as feature films. The second “Kikoriki” movie, “Kikoriki: Legend of the Golden Dragon,” is now in production, with a theatrical release set for autumn 2015. Like the first pic, it will be shot in stereoscopic 3D.

Between three and five Russian animated feature films are released in theaters a year, and there are usually one or two releases of compilations of animated shorts in theaters also. Box office for Russian animated features has doubled over the past five years. Much of this rise can be attributed to the success of Melnitsa, whose film “Three Heroes on Distant Shores” earned a record $26 million last year. ...

Some Russian cartoons get exported. I've had phone calls and visits from Russian animation artists who've worked on CG television animation that has been translated and distributed abroad. There's a global appetite for animated shorts and animated features, and Russia has a long history with animation.

They produced their own Frozen fifty-seven years ago.

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Newer Lawsuits

... of the class-action variety.

Walt Disney Company, DreamWorks Animation, Sony Pictures Animation, Pixar and Lucasfilm were named as defendants in a class action lawsuit filed Monday in San Jose, Calif., that alleges the companies sought to suppress wages by agreeing not to poach each other's workers, according to legal documents obtained by TheWrap.

The lawsuit was filed on behalf of Robert Nitsch, who was a senior character effects artist at DreamWorks Animation from 2007 to 2011.

“Visual effects and animation companies have conspired to systematically suppress the wages and salaries of those who they claim to prize as their greatest assets — their own workers,” the lawsuit stated. ”The leaders and most senior executives of defendants Pixar, Lucasfilm and its division Industrial Light & Magic, DreamWorks Animation, The Walt Disney Company and its division Walt Disney Animation Studios, Digital Domain and others secretly agreed to work together to deprive thousands of their workers of better wages and opportunities to advance their careers at other companies.” ...

Because free enterprise, free labor, and blah and blah and blah.

But hey. It's for a good cause: keeping costs down and profits up.

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Potentially Lucrative Spin Off

I calculate that, long-term, this will amount to something.

La Jolla Playhouse has announced casting for its upcoming U.S. premiere of The Hunchback of Notre Dame, featuring the Disney film score by Alan Menken and lyricist Stephen Schwartz. The production, which is produced by special arrangement with Disney Theatrical Productions, will run from October 26-December 7 in the Mandell Weiss Theatre. ...

Probably the deal is, launch in La Jolla, tinker with it a bit, take it to Broadway.

The Mouse has had good luck turning its animated features into Broadway (and national tour) gold. They've got a pre-built score and book, and a lot of the spade work is already done, so what's not to like? The stockholders will be pleased.

H/t Don Hahn

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Sunday, September 07, 2014

Animation's International Box Office

The Weekend Take for Animation and Semi-Animation.

Foreign Weekend Box Office -- (World Totals)

Galaxy Guardians -- $11,500,000 -- ($586,167,000)

Dawn of Apes -- $16,600,000 -- $643,821,534)

Teenage Mutant Turtles -- $8,700,000 -- ($300,246,529)

How To Train Dragon 2 -- $3,000,000 -- ($607,121,658) ...

As a trade journal tells us:

Fox’s Dawn Of The Planet Of The Apes bulked up with another $16.6M this frame playing on 6,187 screens in 19 markets. Now with a local cume of $72.1M, DOTPOTA added $13.5M in China this session, its 2nd. ...

Michael Bay’s Transformers: Age Of Extinction is still playing at 792 international dates and took another $1.9M this frame. Cume is now $833M overseas. ...

The Teenage Mutant Ninja Turtles cowabunga’d their way to an extra $8.7M from 4,899 dates in 48 territories, bringing the overseas total to $125.6M. ...

Guardians of the Galaxy grossed a further $11.5M to pass The Wolverine’s $282M with an offshore cume of $291.6M. Globally, it’s now at $586.17M. ...

So even though domestic box office has sagged during the summer, the big franchises are doing well across the planet.

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Sito's Animation History

Time once again for TAG President Emeritus Tom Sito to tell us of significant Cartoonland events occurring in the month of September.

Notable Cartoon Happenings - September

Sept. 1, 1919 - Pat Sullivan’s "Feline Follies” cartoon staring Felix the Cat debuts. Felix is the first true animated star, not depended on a previous newspaper comic strip. His body prototype, a black peanut shape with four fingers, will be the standard for years to come. By 1926 he was the most popular star in Hollywood after Chaplin and Valentino. Lindbergh had a Felix doll in his plane, and it has been speculated that Groucho Marx copied his famous strut. The first television image broadcast by scientists in 1926 was of a Felix doll.

Sept. 1, 1928 - Paul Terry premiered his sound cartoon RCA Photophone system for a short called “Dinner Time”. Young studio head Walt Disney came by train out from Los Angeles to see it. He telephoned his studio back in L.A.: "My Gosh, Terrible! A Lot of Racket and Nothing Else!” He said they could continue to complete their first sound cartoon “Steamboat Willie”.

Sept 3, 1939 - British Prime Minister Chamberlain’s war with Germany announcement interrupted a Disney Cartoon “Mickey’s Gala Premiere” showing on the nascent BBC television service. Television shuts down for the duration of the war.
In 1946, eight years after the war, the BBC television service resumed and an announcer said: “Well now, where were we?” They continue the Mickey cartoon from the point where it was stopped.

Sept 3, 1950 - Mort Walker’s “Beetle Bailey” comic strip first appeared.

Sept 3, 1960 - The Hanna-Barbera show “Lippy the Lion and Hardy-Harr-Harr” premiered.

Sept 6, 1958 - The "Spunky and Tadpole" show debuts.

Sept 6, 1968 - “H.R. Pufnstuf” premiered this day. Witchipoo, Orson and the Vroom Broom are among its most famous characters.

Sept 6, 1969 - DePatie-Freleng’s the “Pink Panther TV Show” premiered.

Sept. 7, 1963 - Mushi productions cartoon series.”Tetsuan Atomo” debuts in the U.S as “AstroBoy”. ...

And the rest of Mr. Sito's September:

Sept. 7, 1984 -The Walt Disney Company's Borad of Directors formally replaced CEO Ron Miller with Michael Eisner.

Sept. 9, 1967 - Jay Ward’s show "George of the Jungle" premiered, with Super Chicken and Tom Slick sequences.

Sept. 10, 1966 – Hannah-Barbera’s “Frankenstein Jr. and the Impossibles” debuts.

Sept. 10, 1968- Hanna-Barbera’s “Space Ghost” and “Dino Boy” debut.

Sept 11,1960 - Terrytoon’s “Deputy Dawg” TV show debuts.

Sept 11, 1966 - “Kimba the White Lion” debuts in the U.S.

Sept. 11, 1971 - The “Jackson Five” Saturday morning cartoon show debuts.

Sept, 12, 1941 - The Animators Strike at the Walt Disney Studio, which had been going on since May 30th, finally ended. Everyone goes back to work after the NLRB, with a lot of behind the scenes arm-twisting from the Bank of America, settled the dispute. Walt Disney had to recognize the Screen Cartoonists Guild, give screen credits, double the salaries of low paid workers retroactive to May 29th and re-hire animator Art Babbitt. Walt immediately got on a train to Washington to try and convince the feds to reverse the decision or get an injunction in court. He failed. Ironically, within a few months, World War II would break out and artists who had been bitter foes would be compelled to work side by side in the U.S. Army Picture Unit.

[This was a longer and more bitter strike than the job action of the Motion Picture Screen Cartoonists in 1982. Artists held grudges for years. And Walt Disney, according to animator/director Don Lusk, kept a list of strikers in a special file, telling Lusk's future wife: "The people who are in here aren't going to be working at the studio after awhile. And they won't be rehired." -- Steve Hulett]

Sept. 12, 2005 - Disneyland Hong Kong opened.

Sept. 13, 1969 - Hanna Barbera’s “Scooby-Doo, Where are You?” and “Dastardly & Mutley and their Flying Machines” premieres.

Sept. 13, 1979 - On his birthday, animator Don Bluth quit the Walt Disney Studios taking a third of the top artists with him. Bluth becomes Disney’s most serious rival since Max Fleischer and so helps spark the animation renaissance of the 1990s. A whole new group of young talent, “Bluthies”, exert great influence throughout the animation business.

Sept 14, 1968 - Filmation's “The Archies Show” debuts.

Sept. 14, 1985 - Disney’s TV show “Gummi Bears” debuts.

Sept 15, 1973 - "Star Trek: The Animated Series" by Filmation premieres. This was the first time Kirk, Spock, Sulu and Uhura were united again with a Roddenberry script since the original series was canceled.

Sept. 15, 2008 - THE GREAT RECESSION - The US Stock Market went into a panic nosedive after two of the nation’s oldest investment banks (Merrill Lynch and Lehman Bros.) collapsed. Lehmans was $613 billion in debt. This shock added to the news of the government taking over mortgage insurers Fannie Mae and Freddie Mac, and spiraling gas prices suppressing car sales. The American financial crisis panicked stock markets around the world. It was the greatest financial collapse since the Great Depression of 1929.

Sept. 16, 1949 - Chuck Jones’ “Fast and Furry-ous”, the first Road Runner-Coyote cartoon, debuts.

Sept 17, 1972 - Filmation’s “The Groovy Ghoulies” show premieres.

Sept. 18, 1895 - In Davenport Iowa, Daniel David Palmer performed the first chiropractic adjustment session. Animation artists rejoice!

Sept. 18, 1987 - Walt Disney’s TV show “Ducktales” premieres.

Sept. 19, 1942 - Chuck Jones cartoon “The Dover Boys” is released.

Sept. 20, 1947 - Tex Avery’s MGM cartoon “Slap Happy Lion” debuts.

Sept. 20, 200 1- Hayao Miyazaki’s “Spirited Away” released in the US.

Sept. 22,1979 - Hanna Barbera’s “Super Globetrotter’s Show”, featuring Multi-Man, Sphere Man, Gizmo-Man, Spaghetti-Man and Fluid-Man debuts.

Sept. 22, 1984 - Michael Eisner is named CEO of the Walt Disney Corporation.

Sept 23, 1962 – Hanna-Barbera’s show “The Jetsons” premiered in prime time. It was the first ABC show to be presented in color.

Sept. 24, 1938 - Bob Clampett’s cartoon “Porky in Wackyland” debuts. In 1994 it was voted #8 of The 50 Greatest Cartoons of all time by members of the animation field and in 2000 was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and selected the short for preservation in the National Film Registry.

Sept. 25, 1984 - THE RUBBERHEADS STRIKE - Disneyland workers, including the actors who stroll the park in big Mickey and Goofy heads, go on strike.

Sept. 26, 1941 - Max Fleischer’s “Superman” cartoon debuts. Max warned the human movement would be much more expensive that the usual short cartoons- $90,000 to the usual $34,000, but Paramount wanted them. After a dozen shorts, Paramount accused the Fleischers of spending too much money.

Sept. 26, 1983 - Filmation’s “He-Man and the Masters of the Universe” opens in syndication.

Sept. 27, 1937 - J R R Tolkiens’ “The Hobbit” first appears in bookshops.

Sept 27, 1961 – Hanna-Barbera’s show “Top Cat” premieres.

Sept. 27, 1977 - Warner Bros animator-director Bob McKimson falls dead of a heart failure in front of Friz Freleng and Yosemite Sam animator Gerry Chiniquy while having lunch.

Sept. 28, 1967 – “Speed Racer” premieres in the U.S.

Sept. 29, 1959 – Hanna-Barbera’s “Quick Draw McGraw” TV show debuts. Ba ba Louie and El Kabong!

Sept 30, 1919 - The Fleischer brothers' first "Out of the Inkwell" cartoon featuring Koko the Clown debuts. Koko was rotoscoped, meaning traced from live-action like Motion Capture does today. Dave Fleischer put on the clown suit and was filmed by his brother Max. Dave had originally bought the clown suit, in case their business went under, and he needed to work.

Sept 30, 1928 - Walt Disney and his crew recorded the soundtrack and music for the first Mickey Mouse short, Steamboat Willie.

Sept. 30, 1960 - Hanna Barbera’s “The Flintstones” debuts. For six seasons in prime time the inhabitants of 301 Cobblestone Lane, Bedrock, became one of the most iconic TV series ever. Originally going to be named the Flagstones, then Gladstones, before Flintstones. It was the first TV show to dare show a visibly pregnant Wilma Flintstone.

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Congratulations President Loofbourrow!


Congratulations to our sitting President on the birth of his daughter! According to Facebook posts, she was born September 6th. Mom, Dad and baby are doing well.

* Above picture taken from Nathan's Facebook timeline without permission.

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Saturday, September 06, 2014

Speaking of Warner Bros. ...


They're more serious about animation than they used to be.

Warner Bros.’ Looney Tunes spinoff film is finally making some progress after spending years in development. According to The Hollywood Reporter, the studio has officially brought on X-Men: First Class scribes Ashley Miller and Zack Stentz to write the script and is working on filling the rest of the team.

In addition to hiring the writing duo to pen the still-untitled Acme film, the studio is reportedly in early negotiations with Crazy Stupid Love directors Glen Ficarra and John Requa to helm the project. As for possible cast members, Steve Carell (who also starred in Crazy Stupid Love) is reportedly attached to lead the project. ...

Warner Bros. has had a spotty record with cartoons.

The company failed to re-copyright a bunch of its classic forties shorts, so they're now public domain. (This has never happened to the ever-vigilant Diz Co.) Warners jumped into hand-drawn animated features during the nineties, and fell on its face, losing millions. Even the Iron Giant, now considered a masterpiece, tanked.

In the go-go nineties, the only area where the WB was competitive was in its television animation divisions. Warner Bros. Animation churned out hit after hit, and its direct-to-video operation turned a tidy profit. Now, however, the distribution gods have smiled on the big corporation and gifted it with The Lego Movie, one of the year's top domestic grossers. Warners is excited about Acme because ...

... Kevin and Dan Hageman (writers of The Lego Movie) sold the original pitch. ...

And nothing, absolutely nothing, puts a gleam in a front-office exec's eye like a blockbuster derived from a small-budget animated feature.


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Our American Box Office


Summer is over, but the usual suspects still sit atop the Box Office Ten.

The Big Ten

1). Guardians of the Galaxy (DIS), 3,221 theaters (-241) / $2.7 M Fri. / 3-day cume: $10.2M (-40%) / Total cume: $294.6M / Wk 6

2). If I Stay (WB), 3,157 theaters (+154) / $1.6M Fri. / 3-day cume: $5.39 (-42%)/Total cume: $39.3M/ Wk 3

3). Let’s Be Cops (FOX), 2,932 theaters (-78) /$1.57M Fri. / 3-day cume: $5.32M (-36%) / Total cume: $66.5M /Wk 4

4). Teenage Mutant Ninja Turtles (PAR), 3,273 theaters (-270) / $1.5M Friday / 3-day est. cume: $5.78M (-52%) / Total est. cume: $173.89M / Wk 5

5.) The November Man (Relativity), 2,776 theaters (–) / $1.238M Fri. / 3-day cume: $4.28 (-46%) / Total cume: $17.9M / Wk 2

6.) As Above, So Below (UNI), 2,650 theaters (+10) / $1.149M Fri. / 3-day cume: $3.8M (-56%) / Total cume: $15.66M / Wk 2

7). The Giver (TWC), 2,576 theaters (-229)/ $970K Fri./ 3-day cume: $3.472M (-34%)/Total cume: $37.7M/ Wk 4

8). When the Game Stands Tall (Tri-Star), 2,766 theaters (+93) / $958K Fri. / 3-day cume: $3.35M (-44%) / Total cume: $23.15M / Wk 3

9). The Hundred-Foot Journey (DIS), 2,167 theaters (+249)/ $888K Fri. / 3-day cume: $3.205M (-33%) / Total cume: $45.7M / Wk 5

10). Lucy (UNI), 1,171 theaters (-122)/ $528K Fri. / 3-day cume: $1.89M (-32%)/ Total cume: $121.06M/Wk 7

The animated brigade that still is in release ... in anywhere from a handful to 500 theaters, have running totals as follows:

Animated Features

17) How To Train Your Dragon 2 -- $174,181,658

27) Planes: Fire and Rescue -- $57,983,850

48) Rio 2 -- $131,538,435

57) Mr. Peabody and Sherman -- $11,506,430

Of the pictures above, Dragon 2 landed about where it was bound to land based on its opening weekend numbers. Planes is likely a sizable disappointment for Diz Co., since this follow-up is in wide-screen, has a stronger story, and yet has pretty much tanked with the AMC and family trade. (And its under-performance is likely the reason there have been layoffs at DisneyToons Studio.)

Mr. Peabody and Sherman was a write-off for DreamWorks, and Rio 2 has performed okay globally, even if it was a see bit underwhelming in the domestic theatrical marketplace.

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Friday, September 05, 2014

WB Chief Executive Speaks


Or more accurately, sends an e-mail:

I wanted you to hear directly from me about our plans for the Studio. In recent days, we have started to hear rumors here at the company and to read misinformation in the press, so I’d like to set the record straight. ...

Since I became CEO, I’ve been working with the Studio’s senior management team to create a plan to position Warner Bros. for future growth, maintaining our position as the industry’s leader in quality and scale—all while safeguarding our traditions and legacy. This will require us to reduce costs and reallocate resources to our high-growth businesses.

We are doing our best to minimize staff reductions. However, and it pains me to say this, positions will be eliminated—at every level—across the Studio. In making these decisions, we will follow all applicable protocols. Your divisional and departmental leadership will share more information with you about these changes in the months ahead. ...

Warm regards

And sorry about the cold, cold steel of the axe now swinging down. ...

Usually when a memo like this gets circulated, upper management is trying to get ahead of the expectations game. And expectations have been grim:

August 25, 2015 -- The next breaking news story at CNN could be layoffs.

“We are going to do less and have to do it with less,” CNN president Jeff Zucker told employees at a call-in to a news meeting last Tuesday.

He did not specify that layoffs were planned, but acknowledged it was “difficult” news for CNN, which has been struggling to regain its former preeminence among cable news networks. ...

And tales from other divisions of the conglomerate aren't cheerful either:

Sept. 3, 2014 ... On the heels of Rupert Murdoch’s spurned $80 billion offer to buy Time Warner, Warner Bros. is downsizing. Sources have told Bloomberg that the Burbank studio plans to offer buyouts to an unspecified number of employees in a bid to decrease costs and increase profit. If it doesn’t get enough takers, Warners may start issuing pinkslips as well. The staff reductions will affect the company’s film, TV and home-entertainment divisions, and budget cuts will extend beyond personnel. ...

No word yet how this will impact Warner Bros. Animation, but when we find out information, we'll pass it along.


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Expenditures

This from Deadline:

... Dinner parties, luncheons, retreats and holiday get-togethers are good ways for union leaders to connect with their members and staff and for members to meet their leaders. Some of the money spent is charitable or educational, some of it is celebratory or promotional and all of it is well-meaning. ...

TAG's big expenditure each year is our holiday mixer, which draws 1000 to 2000 members each year. We're not big spenders on anything else, but the January party comes in at the $50k range.

(Like every other labor organization, we are transparent about where the money is. And what it goes for)

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Thursday, September 04, 2014

Ancillaries


Here's a toy company that really makes animation work.

Licenses to “Star Wars,” “The Simpsons,” DC and Marvel’s superheroes, and its own films like “The Lego Movie” have helped make Lego the world’s largest toy company when it comes to revenue and profits, beating Mattel and Hasbro.

At least that’s for the first six months of the year.

Lego attributed much of this year’s success so far to “The Lego Movie,” which helped boost sales by 11% during the first six months of the year, the company said.

“The Lego Movie,” which was produced for $60 million, went on to earn more than $468 million worldwide, and was backed by 17 playsets, minifigures, a videogame, theme park attraction, and slew of branded merchandise. The film is also available on homevideo platforms. ...

The cash flow from merchandise sales constituted a nice pile of money.

[Lego's] net profit in the period was up 14 percent compared with the first half of 2013, at 2.7 billion kroner ($480 million), on sales of 11.5 billion kroner.

Sounds like the cartoon business is helping Lego's profit margins. Small wonder that companies keep crowding into the cartoon business.

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The OTHER DreamWorks


DWA and DW used to be one, but SKG's live-action studio has long been the weak sister of the duo. And now ...

Steven Spielberg’s struggling live-action movie company, DreamWorks Studios, announced on Thursday that it would part ways with its longtime chief and named a former television executive to succeed her.

The new chief, Michael Wright, 52, will join DreamWorks Studios in early January, taking the reins from Stacey Snider, who has worked beside Mr. Spielberg since 2006 to critical if inconsistent commercial acclaim. Ms. Snider, 53, is widely expected to move to a senior movie job at 20th Century Fox.

Mr. Wright, who spent the last 14 years at Turner Broadcasting, has limited movie experience. But Mr. Spielberg joked in a telephone interview that Mr. Wright “has something I call O.C.S., which stands for obsessive-compulsive student.” ...

In DreamWorks first few years, (like the turn of the century) the live-action movies were unstoppable. American Beauty. The Gladiator. A Beautiful Mind won back-to-back-to-back best picture Oscars, but then the studio went off the rails and is today a shadow of its original self. Sad.

DreamWorks Animation spun off into its own corporate entity, and spun out sixteen straight hits before mimicking its live-action sibling and hitting choppy financial seas. At the feature animation studio in Glendale, there have been two rounds of layoffs in as many years. I walked through the facility today, and there are numerous empty cubicle. As DWA staffers tell it:

"The morale isn't near where it was a few years ago." ... People worry if they're the next to go. People with 11 years ... 14 years experience get laid off when their picture wraps." ... "The company is working to get costs down. I think there's going to be more layoffs so they can get the features down to $125 in costs." ...

I suppose we'll have to wait to find out. Just now a lot of employees are working on Penguins of Madagascar to get it ready for a Fall release. Then Home will need work. After that, perhaps more pink slips.

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Found Object Assemblages Opens Tomorrow!



"Found Object Assemblages", select artwork by Carolyn Gair opens tomorrow in Gallery 839. Opening reception from 6:00pm to 9:00pm. Gallery 839 is located on the first floor at the Animation Guild.

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Undeserving?


What? There's somebody out there who got an Oscar who didn't deserve the Oscar?!

... Visual effects pioneer Douglas Trumbull says his 2001: A Space Odyssey director Stanley Kubrick was a master who didn't get his due when it came to the Oscars. But his only Oscar, for visual effects for 2001, didn't rightfully belong to him.

"Kubrick did not create the visual effects. He directed them," says Trumbull. "There was a certain level of inappropriateness to taking that Oscar." ...

News flash to Doug: There have been lots of inappropriate awards handed out, depending on your point of view. Actors who didn't get the nod. (Like for instance, Clark Gable for Gone With the Wind. Hattie McDaniel got a supporting Little Gold Man. Vivien Leigh got best actress. But Clark getting passed over for Robert Donat in Goodbye Mr. Chips? All because Chips was an M-G-M picture and Louis B. Mayer mounted a campaign?)

Then there was Jack L. Warner running to the stage to accept the Best Picture Oscar for Casablanca, thereby pissing off the actual producer Hal B. Wallis, who'd supervised the film under his company "Hal B. Wallis Productions." Wallis was so angry about it, in fact, that he left the WB and moved to Paramount.)

And then there's this Tinsel Town producer:



...Walt Disney accepting the Oscar for Toot, Whistle, Plunk and Boom and getting it confused with one of his (award-winning) nature films. But when you pick up four Little Gold Men in an evening, it's easy to get the subjects of each confused.



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