tag:blogger.com,1999:blog-22906998.post2135923738590975924..comments2024-03-26T22:42:06.412-07:00Comments on TAG Blog: Permanence of the Dees Times Three (Part XIV)Steve Huletthttp://www.blogger.com/profile/05537689111433326847noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-22906998.post-5249477366259095162010-03-25T11:31:58.807-07:002010-03-25T11:31:58.807-07:00I've yet to find the article or the footage wh...I've yet to find the article or the footage where Cameron makes his remarks about animators and vfx artists.<br /><br />??noreply@blogger.comtag:blogger.com,1999:blog-22906998.post-79691321850084061232010-03-24T16:42:30.676-07:002010-03-24T16:42:30.676-07:003-D is a good thing but it is being entirely overu...3-D is a good thing but it is being entirely overused now. This is worse then the 50s and 80s. I mean films like Toy Story 3 and Rapunzel are now going to be seen in Disney 3-D. Not to mention Beauty and the Beast sometime in 2011. I wouldn't be surprised if Twilight got in on this action, that's what people want to see Taylor Lautner shirtless in 3-D!<br /><br />Also does anyone think Don Bluth looks kind of like Walt? Just curious.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-20852317111168360862010-03-24T16:32:50.481-07:002010-03-24T16:32:50.481-07:00First, I thought James was made about the film bei...First, I thought James was made about the film being called an animated film rather than live action or was I wrong?<br /><br />Anyway I thought Disney promised to stop making Disney sequels because I just saw a film that was <b>Pocahontas in Space</b>. (I know bad joke).Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-33723777892399450482010-03-24T16:27:24.269-07:002010-03-24T16:27:24.269-07:00So, Walt Disney came back as James Cameron?
I thi...<i>So, Walt Disney came back as James Cameron?</i><br /><br />I think we established this as a <b>NO</b> because I believe Walt trusted his animators not belittle them as Cameron has been cited as doing around the time of the Oscars. He maybe a great director, but as soon as the Academy snubbed the two leads in Avatar for Best Actor and Actress the gloves came off and the belittling began. I thought the animators deserved at least half the credit for that film.<br /><br />All in all we have another blue people movie to worry about (no not an Avatar 2) but a SMURFS movie. I wonder if it was a wise choice to make it an animated/live action film...Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-7370995349101940202010-03-24T15:54:01.547-07:002010-03-24T15:54:01.547-07:00So, Walt Disney came back as James Cameron?So, Walt Disney came back as James Cameron?Floyd Normanhttps://www.blogger.com/profile/08635960964922892254noreply@blogger.comtag:blogger.com,1999:blog-22906998.post-20453230759021871212010-03-24T15:37:47.523-07:002010-03-24T15:37:47.523-07:00Say what you will about James Cameron's movies...Say what you will about James Cameron's movies. Everyone has a right to an opinion. The fact of the matter is that different directors have different issues with different aspects of the industry. I worked for David Fincher on several projects at Digital Domain. The fact is that he just plain old doesn't like actors. He's got a handful of people he will work with given the choice. He very much wants to see the day when actors are eliminated from the equation. Doesn't like a lot of the primadonna b.s. I'm sure Cameron, having been a party to a LOT of the VFX/Animation world's coming of age, has some similar feelings about primadonna fx artists. I've been an FX artist for the past 11 years, and I've met my share of personalities that span the spectrum of incredibly humble/incredibly talented, to incredibly self absorbed ego-maniac/no talent ass-clown and everything in between. While I don't share Cameron's sentiments regarding fx artists, or at least how his statements came off, I can't fault the humanity of reacting to whatever his interpretation of his experiences with being limited by what someone could or couldn't give him that he wanted. Now, one other thing that comes to mind with both Fincher and Cameron. They are both notorious for the following:<br /><br />1) Extremely demanding.<br />2) Extremely hard assed.<br />3) THEY KNOW HOW TO USE THE TECHNOLOGY!!<br />4) Artists/Sups cannot bullshit them because (see #3).<br />5) They are driven enough to get what they want, that if someone tells them "no," that they will figure it out on their own, and then make the naysayer pay BIG, because (see #3).<br /><br />Anyone that gets in on one of their shows should know this up front. It's just the way it works, and they neither one mince words.<br /><br />They both get great results, whether or not they choose to give all the proper credit where it's due.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-39383578106419873392010-03-24T15:02:49.407-07:002010-03-24T15:02:49.407-07:00Where are the "good" real movies? Alice?...<i>Where are the "good" real movies? Alice? Horrible. Avatar? Expensive "B" movie. Up? Well, it's fantastic, but I preferred it in 2D. Monster vs. Aliens? Gave me a headache. Not the 3D, but the movie. Bolt? Feh.</i><br /><br />I LIKED MvA and Bolt (and Up, obviously), and though I walked out early on Avatar, I'd still take it if you offered me a choice with Steve Guttenberg in "The Man Who Wasn't There".<br /><br />Martin Scorsese got a little too caught yo in his "director's rights" issues (after thinking we were all unfairly picking on J**** C*****n for not making a "real" movie), and said, "Well, why NOT Precious 3-D?, if that's the director's vision?"<br />Because we've got a hard enough time finding directors that DO know how and when to use the technology, Marty, <i>that's</i> why.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-63372228619005297092010-03-24T14:38:28.372-07:002010-03-24T14:38:28.372-07:00I think James Cameron showed how it should be done...<i>I think James Cameron showed how it should be done</i><br /><br />First off never use that bastard's name on here, <b>never</b>. He's openly mocked his animators. IMHO, he's the single-most loathing director I have ever heard of.<br /><br />And 3-D is a good idea for rides, but definitely not for movies. As a user said before it decreases the overall quality of any film.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-9119451440145068792010-03-24T14:37:23.209-07:002010-03-24T14:37:23.209-07:00Retrofitting 2D movies into 3D will be like the co...Retrofitting 2D movies into 3D will be like the colorization of old black and white films. It'll work sometimes part of the way, but will it really be worth it?<br />Planning a movie for 3D is the way to go.....however, there shall be plenty of examples of it that work sometimes only part of the way.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-83479894691110936722010-03-24T13:14:12.460-07:002010-03-24T13:14:12.460-07:00Where are the "good" real movies? Alice...Where are the "good" real movies? Alice? Horrible. Avatar? Expensive "B" movie. Up? Well, it's fantastic, but I preferred it in 2D. Monster vs. Aliens? Gave me a headache. Not the 3D, but the movie. Bolt? Feh.<br /><br />Give me The Godfather or Goodfellas in 3D and I'll reconsider it. But first, fix the brightness issue. Paying more for 30% less color/contrast/brightness ain't cuttin' it.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-2617942024847718652010-03-24T12:08:51.604-07:002010-03-24T12:08:51.604-07:0050's 3-D was killed off by B-producers that ju...50's 3-D was killed off by B-producers that just didn't know what to do with it. (Contrary to popular myth, there were very few sci-fi epics in 3-D, but just about every other B-genre, trying to see what would stick.)<br />80's 3-D was killed off by producing some of the cheesiest low-rent movies ever made, even the studio-backed ones.<br />Even 00's 3-D was <i>almost</i> killed off by wannabe indie animators glutting the Polar Express CGI-only market with "Battle for Terra" and "Fly Me to the Moon".<br /><br />What's unfortunately not killing Dee off at the moment is that we're getting good "real" movies. We're just not always getting real 3-D.<br />The two factors right now that could trip it, if not kill it, are A) the rush for hideously fake conversions because the studio can (and "Clash"'s IS pretty bad, FWIH), and B) the gold rush to bring back every studio sequel franchise just to try it out.<br />I'd even take "Journey to the Center of the Earth"'s campy old-school tribute to native "gimmick" 3-D over today's Tim Burton post-production View-Masters.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-22906998.post-67951996884654499332010-03-24T11:48:53.267-07:002010-03-24T11:48:53.267-07:00I think James Cameron showed how it should be done...I think James Cameron showed how it should be done: conceptualized from the beginning as a 3D film. I don't think 3D retrofitting of old films or films not originally shot in 3D provides the same feeling or immersive experience.Justinhttps://www.blogger.com/profile/07033520437729077065noreply@blogger.com