Wednesday, September 24, 2014

Ever Expanding Animation Markets

Everybody wants a slice of the global marketplace.

Estonian arthouse animation seeks bigger auds

Produced by Estonia’s Nukufilm, stop-motion dialogue-free “Carrot” will be pitched on Friday at Toulouse’s 25th Cartoon Forum.

Tallin-based Nukufilm (“Lost and Found”) was founded in 1957 and according to studio sources, produces “90 minutes of pure animation per year,” being the biggest puppet animation studio in Northern Europe.

“Nukufilm'”s is one out of the six projects coming from Eastern Europe –Poland has two and Croatia, Latvia and Bulgaria one a piece. ...

“Estonian animation industry is approaching more and more mainstream areas. And this series project is also a sign of this trend.” ...

It mostly flies under the radar, but non-U.S. animated features do credible business in various foreign venues.

The Hayao Miyazaki features, for example.

And this:

[Spanish] local toon biz’s flagship is Enrique Gato’s Indiana Jones parody “Tad, the Lost Explorer,” the third Spanish film in a row to open Cartoon Movie. Studiocanal-sold, “Tad” snagged $40 million worldwide through Feb. 17, becoming Spain’s highest-grossing Spanish toon ever ($24.6 million), distribbed by Paramount.

“Spain’s film sector now accepts animation as part of its industry,” says “Tad” writer-producer Jordi Gasull at El Toro. ...

You don't have to rake in half a billion in worldwide grosses if you can make features that cost five or ten million dollars. A fifty million dollar gross will make you a very tidy profit.


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